Cannes Lions, 2015 | ||
---|---|---|
DIRECT | PRODUCT & SERVICE: PUBLIC HEALTH & SAFETY & PUBLIC AWARENESS MESSAGES | GOLD |
PROMO AND ACTIVATION | PRODUCT & SERVICE: PUBLIC HEALTH & SAFETY & PUBLIC AWARENESS MESSAGES | SILVER |
PR | PRACTICES & SPECIALISMS: PUBLIC AFFAIRS & LOBBYING | BRONZE |
PR | PRACTICES & SPECIALISMS: EVENTS & EXPERIENTIAL (INCL. STUNTS) | SILVER |
DESIGN | BRAND ENVIRONMENTS: LIVE EVENTS | GOLD |
OUTDOOR | INTEGRATED: INTEGRATED CAMPAIGNS LED BY OUTDOOR | SILVER |
OUTDOOR | AMBIENT: LIVE ADVERTISING AND EVENTS | GOLD |
MEDIA | USE OF MEDIA: USE OF AMBIENT MEDIA: LARGE SCALE | GOLD |
MEDIA | USE OF MEDIA: USE OF EVENTS & STUNTS | BRONZE |
CYBER | BRANDED TECH: SPATIAL TECH (INCL. DIGITAL INSTALLATION/EXHIBIT) | SILVER |
CYBER | ONLINE VIDEO: SOCIAL VIDEO | BRONZE |
DIRECT | DIRECT MARKETING: DIGITAL & SOCIAL: USE OF NEW TECHNOLOGY IN A DIRECT MARKETING CAMPAIGN | GOLD |
DIRECT | USE OF DIRECT MARKETING: TARGETED AMBIENT MEDIA: LARGE SCALE | SILVER |
BRANDED CONTENT AND ENTERTAINMENT | BRANDED ENTERTAINMENT: BRANDED LIVE EXPERIENCE | GOLD |
PROMO AND ACTIVATION | USE OF PROMO & ACTIVATION: USE OF AMBIENT IN A PROMOTIONAL CAMPAIGN: LARGE SCALE | GOLD |
PROMO AND ACTIVATION | USE OF PROMO & ACTIVATION: USE OF PROMOTIONAL EVENTS & STUNTS | SILVER |
El Sol Festival (Espanol), 2015 | ||
Innovación | - | Sol De Oro |
Márketing Promocional | - | Gran Premio |
Digital | - | Gran Premio |
Campañas Integradas | Servicios públicos sin ánimo de lucro, proyectos sociales | Sol De Oro |
Digital | Servicios públicos sin ánimo de lucro, proyectos sociales | Sol De Oro |
Relaciones Públicas | Impacto en medios | Sol De Oro |
Márketing Promocional | Eventos | Sol De Oro |
Márketing Promocional | Promociones de responsabilidad social y corporativa | Sol De Oro |
Contenidos de Marca | Eventos o experiencias | Sol De Plata |
LIA (London International Awards), 2015 | ||
Integration | Integration | Gold Winner |
Digital | Innovative Use of Digital | Silver Winner |
Digital | Public Service/Social Welfare | Silver Winner |
Branded Entertainment | Experiential/Live Events | Silver Winner |
Design | Digital Installations | Silver Winner |
Design | Experiential Marketing | Gold Winner |
Non-Traditional | Live Events - Beyond Advertising | Bronze Winner |
Ciclope International Festival of Craft, 2015 | ||
Digital | Live Experience | Silver |
Specials | Low Budget | Gold |
Epica Awards 2015 | ||
Media Usage | Media Innovation - Alternative Media | Gold |
Eurobest Awards, 2015 | ||
Branded Content & Entertainment | Non-Fiction: series or film | Bronze Eurobest |
Branded Content & Entertainment | Branded Live Experience | Silver Eurobest |
Design | Brand Environments & Experience Design: Live Events | Gold Eurobest |
Direct | Use of Direct Marketing: Targeted Ambient Media: Large Scale | Silver Eurobest |
Direct | Product & Service: Charities, Public Health, Safety & Awareness Messages | Bronze Eurobest |
Media | Product & Service: Charities, Public Health, Safety & Awareness Messages | Silver Eurobest |
Promo & Activation | Product & Service: Charities, Public Health, Safety & Awareness Messages | Gold Eurobest |
Direct | Direct Marketing: Digital & Social: Use of New Technology in a Direct Marketing Campaign | Bronze Eurobest |
Innovation | Creative Innovation (incl. business solutions in association with a brand or creative campaign) | Innovation Trophy |
Interactive | Craft: Innovative Use of Technology | Gold Eurobest |
Interactive | Online Video: Social Video | Bronze Eurobest |
Interactive | Branded Tech: Branded Tech off-line (incl. Digital Installation/Exhibit) | Bronze Eurobest |
Media | Use Of Media: Use of Ambient Media: Large Scale | Silver Eurobest |
Outdoor | Outdoor: Ambient: Live Advertising & Events | Gold Eurobest |
Outdoor | Outdoor: Integrated Campaign: Integrated Campaigns led by Outdoor | Gold Eurobest |
PR | Pr: Practices & Specialisms: Events & Experiential (incl. stunts) | Bronze Eurobest |
PR | Pr: Product & Service: Charities, Public Health, Safety & Awareness Messages | Silver Eurobest |
Promo & Activation | Use of Promo & Activation: Use of Promotional Events & Stunts | Gold Eurobest |
D&AD Awards, 2016 | ||
Creativity for Good (White Pencil) | Advertising & Marketing Communications - Not for Profit | Graphite Pencil |
PR | Use of Events | Wood Pencil |
Media | Use of Events | Graphite Pencil |
PR | Best Public Affairs Campaign | Yellow Pencil |
Outdoor Advertising | Ambient | Graphite Pencil |
Media | Use of Outdoor | Wood Pencil |
New York Festival 2016 | ||
Activation & Engagement | Activation & Engagement: Use Of Activation & Engagement | First Prize Award |
Media | Best Use Of Media: Outdoor: Ambient | Grand Prize Award |
Media | Best Use Of Media: Outdoor: Ambient | First Prize Award |
Public & Media Relations | Public & Media Relations Campaigns: Public Service Announcements | First Prize Award |
Public & Media Relations | Public & Media Relations Campaigns: Best Use Of Medium: Live Events | First Prize Award |
Public Service Announcements | Public Service Announcements / Communications: Collateral / Direct | First Prize Award |
Design | Design: Use Of Medium: Environmental Design: Exhibitions & Live Events | Third Prize Award |
One Show, 2016 | ||
Cross-Platform | Non-Profit - Experiential Advertising / Experiential Advertising | Gold Pencil |
Print & Outdoor | Innovation - Ambient (Indoor & Outdoor) / Ambient (Indoor & Outdoor) | Gold Pencil |
Print & Outdoor | Non-Profit - Ambient (Indoor & Outdoor) / Ambient (Indoor & Outdoor) | Gold Pencil |
Responsive Environments | Innovation - Use of Technology / Use of Technology | Gold Pencil |
Direct | Non-Profit - Ambient / Environmental / Ambient / Environmental | Silver Pencil |
Public Relations | Non-Profit - Public Affairs / Politics / Lobbying / Public Affairs / Politics / Lobbying | Merit |
Ux / Ui | Non-Profit - Cross-Channel / Cross-Channel | Gold Pencil |
Clio Awards 2016 | ||
Out of Home | Product/Service: Ambient | Silver |
Engagement/Experiential | Product/Service: Events | Gold |
Public Relations | Product/Service: Public Affairs | Bronze |
Public Relations | Product/Service: Special Event | Bronze |
Social Media | Product/Service: Social Media | Bronze |
Innovation | Public Service: Medium Innovation | Gold |
AICP Next Awards 2016 | ||
Cause Marketing | - | The Winner |
Experiential | - | The Winner |
ADCE Awards 2016 | ||
Promotions & New Media | Ambient Media | Gold |
Titulo: Hologramas por la Libertad
Type of entry: Outdoor
Advertiser: NO SOMOS DELITO (WE ARE NOT CRIME)
Category: Live Advertising and Events
Agency: DDB SPAIN
Geo: Spain
Photographer: Alberto Escudero()
Executive Producer: Alvaro Gorospe(Garlic TV)
Hologram Supervisor: Bruno Galán(Garlic TV)
Copywriter: Daniel Rodriguez(DDB Spain)
Interactive Director: David Bardos(20H)
Post Production Supervisor: Elena Vergel(Garlic TV)
Production Director: Enrique Feijoo(DDB Spain)
Agency Producer: Esteban Carrasco(DDB SPAIN)
Director: Esteban Crespo(Garlic TV)
Executive Creative Director: Guillermo Santaisabel(DDB Spain)
Executive Creative Director: Javier Urbaneja(DDB Spain)
Chief Creative Officer: Jose Mª Roca De Viñals(DDB Spain)
Creative Director/Head of Art: Cristina Rodriguez(DDB Spain)
Agency Producer: Elena Carrasco(DDB Spain)
Front End Programmer: Fernando Drumond(20H)
Editor: Fernando Guarinello(-)
Account Executive: Gabriela Castro(DDB Spain)
Account Supervisor: Mariona Cruz(DDB Spain)
Cinematographer: Pancho Alcaine(-)
URL: http://www.hologramasporlalibertad.org/
Description of the Project:
Since last year, the Spanish government has been designing a group of law reforms, commonly known as “The Gag Law”. Spanish Congress passed this law on March 26th.
Human rights experts from the UN said these reforms will violate Spanish people’s human rights.
The platform NoSomosDelito (WeAreNotCrime), formed by over a hundred citizens’ organizations, activists, and jurists, informs citizens about the meaning of these reforms, which restrict fundamental rights such as freedom of expression and assembly in the name of “citizens’ security”, and to pressure the government into withdrawing them immediately.
One of their objectives is public awareness of their message, so they can mobilize people and collect signatures against this law, and also get support from media and governments outside Spain, in order to prevent its entry into force. To that end we created the Holographic Protest, the first of its kind. On March 26th, the same day the Gag Law was approved, we launched a teaser website which encouraged users to participate in the demonstration in a virtual way: uploading their pictures, recording their shouts and sending their protest messages. At that time we did not revealed the location where the protest would take place, in order to avoid confrontation with the Spanish authorities.
On April 10th, we projected the protest on a 7x4 meters screen in front of the Parliament building, taking advantage of a filming permit. We documented it in a short film and print ads that were distributed some days later.
Media covered the event worldwide.
Insight:
Due to the free assembly restrictions in Spain, people will have to turn into holograms to be able to protest without being fined, arrested or beaten up. So we created the Holographic Protest, invited people to be a virtual part of it, and worldwide media to bear witness to it.
Audience was greatly drawn to the idea, for several reasons. It was a new creative way of protest, it defied the banning of demonstrations in front of Parliament building, and it also reflected in a relevant way the abolition of rights the law has introduced: flesh and blood protest will not be tolerated.
Media found the story interesting not only for its political and social content, but also from a technological point of view, and as a historical milestone in activism.
Holographic Protest live event (April 10th) for media: video projection on a 7x4 meters transparent screen in front of Parliament building, and a special cabin for NoSomosDelito spokespeople to be interviewed by media as real-time holograms.
Website (launched with a teaser online video on March 26th) allowed users to participate virtually in the demonstration, and sign the online petition against the Gag Law reform.
Press print ads (printed on April 17th) portraying the Holographic Protest reinforced the message and led people to website.
An online documentary branded video about the protest (distributed on April 22th).
#HologramasLibres (#HologramsForFreedom) hashtag to improve social conversation.
The campaign was a global hit in media all around the world, with an estimated earned media (at the time of writing) of 16 million euros, and a global audience of over 800 million. It was covered by the main national and international press, TV and online media and made it into the front page and editorials of some of them, such as the French newspaper Le Monde, The New York Times and The Boston Globe. It also appeared in countless local and specialized media.
17,857 people participated in the demonstration via the website, although after that moment, participations kept rising over 20,000. The online petition for the withdrawal of the law was signed by more than 330,000 people.
Our protest gathered over 50,000 tweets and about 400 million Twitter impressions.
Ultimately, the protest was debated in a session of the Spanish Congress.
Several organizations around the world (Canada, Egypt, and Hungary) asked for guidance in replicating the holographic protest, and even the Museum of Science of London, through one of its exhibition producers, has contacted us in order to use the projection as a way to open a discussion on the issue of Government control with their visitors.