Care Norway Film, Digital #DEARDADDY, 1 by Schjarven Oslo

The Film titled #DEARDADDY, 1 was done by Schjarven Oslo advertising agency for Care Norway in Norway. It was released in Dec 2015.

Care Norway: #DEARDADDY, 1

Released
December 2015
Posted
December 2015
Market
Art Director
Production Agency
Director
Producer
Production Agency

Awards:

Cresta Awards 2016
Tv/Cinema/Online Film(Viral Films) - Public ServicesGrand Prix
Crafts(Craft Viral Films) - Copywriting (Film, Radio)Grand Prix
New York Festival 2016
Public Service AnnouncementsPublic Service Announcements / Communications: FilmGrand Prize Award
Public Service AnnouncementsPublic Service Announcements / Communications: FilmFirst Prize Award
LIA 2016
Production & Post-ProductionDirectionBronze Winner
TV/Cinema/Online FilmPublic Service/Social WelfareGold Winner
Production & Post-ProductionEditingBronze Winner
Production & Post-ProductionCinematographyBronze Winner
TV/Cinema/Online FilmCopywritingGold Winner
Clio Awards 2016
FilmPublic Service: Short form (between one [1] minute and five [5] minutes)Silver
Cannes Lions 2016
FilmOnline Film: Public Sector & Awareness MessagesSilver Lion
Film CraftFilm Craft: ScriptGold Lion
Eurobest Awards 2016
Film CraftFilm Craft: ScriptSilver Eurobest
FilmOnline Film: Charities, Public Health & Safety, Public Awareness MessagesBronze Eurobest

Credits & Description:

Category: Public Interest, NGO
Title: Dear Daddy
Media: Online
Brand: Care Norway
Agency: Schjærven Reklamebyrå
Brand: CARE Norway
Country: NORWAY
Category: Promotion Of Peace & Human Rights
Production Company: The Youth
Production Company: Tangrystan, Oslo
Additional Company: Tangrystan, Oslo
Cinematographer: Andres Rignell (Tangrystan Film Poduction)
Project Manager: Mari Kristina Skaar Gjelstad (Schjærven)
Colorist: Sabina Törnberg (Stopp)
B Photo: Alexan Magnusson (Tangrystan Film Poduction)
Producer: Beate Tangre (Tangrystan Film Poduction)
Copywriter: Gry Halsen Sagvolden (Schjærven)
Agency Producer: Gard Andreassen (Clockwork Postproduction)
Art Director: Jens Gundersen (Schjærven)
Composer: Nina Hobert (Nina Hobert)
Project Manager: Nina Motzfeldt (Tangrystan Film Poduction)
Producer And Director: Jakob Strøm (Tangrystan Film Poduction)
Editor: Ola Ohlsson (Chimney)
Client Director: Knut Røse (Schjærven)
Post Producer: Hannah Hunter (Clockwork Postproduction)
Cut: Vårin Andersen (Clockwork Postproduction)
Producer: Gry Sætre (Tangrystan Film Poduction)
Published: December 2015
Description of the Project:
CARE works specifically with women's rights and economic independence. The fact that one in three women in their lifetime will be exposed to violence (WHO) worldwide, and one in five in Norway (NKVTS), is a major obstacle to equality.
For three years, CARE Norway received support from NORAD to an awareness campaign to combat violence against women. Most campaigns deals with violence as the only problem, but we wanted to focus on this as a social problem and the attitudes that form the foundation of violence. Indifference is perhaps the biggest problem for reaching out to our target audience, men.
The objective of the campaign was to get the recipient to reflect on the indifference and lack of grasping a problem can have far greater consequences than they allow themselves to think - and it also goes beyond the ones you love the most. The campaign was designed to reach men, the best men/superdads, and encourage them to stand up against attitudes and actions that underpin this violence. We live in a society where careless and disparaging comments about women are part of everyday life.
Most campaigns deals with violence as the main issue, but we chose to focus on the attitudes that form the foundation of violence. To reach our goal of touching men, we had to move this issue closer to the target audience. We therefore decided to approach dads. Fathers will do everything to protect their children, primarily from the obvious dangers, but what about dangers you cannot see? We would make it impossible for a father to remain unmoved after seeing the film. We used an unborn daughter to tell her dad what she risks just because she is born as a girl.
The short film gives dads out there a key to dealing with this possible future danger. Not accepting derogatory phraseology in their own circle, and teach this to their sons and daughters.
The daughter tells it like she experienced it, so you cannot escape from the issue.
This is a theme/problem with international relevance and the main reason why this five minutes long film has reached an audience of more than 200 million people. The problem is highly relevant in most of the world, although in different degrees.