Ford Film Familien by Very

The Film titled Familien was done by Very advertising agency for Ford in Denmark. It was released in Feb 2016.

Ford: Familien

Brand
Media
Released
February 2016
Posted
February 2016
Market
Industry
Agency
Production Agency

Awards:

Cannes Lions Entertainment 2016
EntertainmentBranded Content & Visual Storytelling: Online: Fiction 15 minutes or over in LengthGold Lion
Ame Awards 2017
Use of MediumBranded Entertainment: DenmarkAME Silver Medallion
Eurobest Awards 2016
EntertainmentEntertainment: Online: Fiction & Non-fictionSilver Eurobest

Credits & Description:

Title: The Family
Campaign: Family
Film director: Daniel Kragh-Jacobsen
Actors: Laura Bach, Peder Pedersen, Bebiane Ivalo Kreutzmann, Pelle Falk Krusbæk og Noah Nielsen
Agency: Very
Production Agency: New Land
Seeding Partner: Be OnFord
Agency: New Land, Very Agency
Brand: Ford Motor Company
Country: Denmark
Entrant Company: Very Agency, Copenhagen
Advertising Agency: Very Agency, Copenhagen
Media Agency: Very Agency, Copenhagen
Pr Agency: Mindshare, Copenhagen
Production Company: New Land, Copenhagen
Additional Company: Ford Motor Company Denmark, Ballerup
Director: Daniel Kragh-Jacobsen (New Land)
Chief Operating Officer: Martin Vibe Jacobsen (Very Agency)
Founder: Thomas Bjerg (Very Agency)
Strategic Planner: Louise Brandt (Very Agency)
Website URL: http://oplev.ford.dk/familien/
Synopsis:
Divorce is a topic that is almost never explored in advertising. It's simply too thorny and depressing. Yet, with a unique 16 minute short-film Ford Denmark proved that it is a topic that gets people talking.The car industry has a long tradition of focusing on the functional benefits when it comes to marketing car brands. But Ford wanted to shift this focus. The brief was hence to create a piece of content that was able to spark more meaningful conversations than your average car advert.We therefore decided to embrace the fact that the role of a car in our daily life isn’t necessarily about horsepower and beautiful turning curves – it’s just as much a means that connect us. It connects us with work, with experiences, and with family. Even in times of hardship. This created the foundation of the story we wanted to tell.
Strategy:
Ford’s only criterion for the campaign was, that it showcase Ford’s wide range of cars, suitable for different life-stages. E.g. small first-time cars like the Fiesta, to bigger family cars like the Mondeo.Our strategy was based on the fusion of a simple fact about the Danish people along with a key insight about the car’s function:Fact: In 2014, more than 54% of marriages in Denmark ended in divorce – the highest ever. Divorce is hence something that the broad Danish public can identify with, and thereby also Ford’s target audience, due to its wide-ranging product portfolio. Insight: The physical space within a car can be a significant setting, when e.g. a couple is divorcing; it can be both a place of freedom and a place of friction for all family members involved - a space where meaningful moments can take place.This set the foundation for our story.
Campaign Description:
The idea was to show Ford’s family cars in authentic environments and everyday situations that many relate to - the car is a rallying point for the family, even in difficult times like a divorce.‘The Family’ is a 16 minutes short film produced for online. The film gives an up-close view of just how difficult divorce can be on all members of the family. But it also leaves a sense of optimism in the sense that a family –in spite of a divorce - can continue to be there for one another, even in the most trying times. Although it was important for the credibility of the film to not make it all about Ford - we still wanted to get the message across, that so much of life happens in cars, so you better buy a good one.
Execution:
We didn’t want to underestimate the importance of getting global attention, in order to make a greater local impact. The 16 minute short film was a PR spearhead designed to create attention in Denmark and beyond. There is a close connection between global reach and local Danish impact. We therefore planned for more than just viral spread. We wanted to harvest global attention giving the campaign validation and extra news value for the local Danish press. We launched the campaign in week 17, both locally and globally and reached out to more than 500 editors, primarily in the US and Denmark.
Outcome:
Despite an unusual long format for an online advert the campaign managed to gather much attention and recognition, including ‘Ad of the Day’ on Adweek.com. The campaign spread fast and within the first week the campaign had been picked up by some of the world’s most influential medias including Daily Mail and Huffington post. This resulted in a social reach of more than 10M people. Within the first 3 weeks more than 100 stories were published reaching 100M people. As predicted, the extensive coverage internationally generated even more interest from the local press. Amongst other, Denmark’s biggest commercial TV station, TV
picked up the story and addressed the international recognition the campaign had received. The campaign generated more than 1000 tweets from users posting the story. In total the campaign went far beyond target expectations and clocked up a ROI of 460 percent in PR value.