Prefeitura Municipal De Belo Horizonte Film QUARTO DE AMES by Perfil 252

The Film titled QUARTO DE AMES was done by Perfil 252 advertising agency for Prefeitura Municipal De Belo Horizonte in Brazil. It was released in Mar 2011.

Prefeitura Municipal De Belo Horizonte: QUARTO DE AMES

Media
Released
March 2011
Posted
March 2011
Market
Director
Creative Director
Copywriter
Account Supervisor
Production Agency

Credits & Description:

Category: Public Awareness Messages

Advertiser: PREFEITURA DE BELO HORIZONTE

Product/Service: CHILD ABUSE AWARENESS

Agency: PERFIL PUBLICIDADE

Production Company: ALTEROSA CINEVIDEO, Belo Horizonte, BRAZIL

Date of First Appearance: Mar 9 2011

Chief Creative Officer: Carlos Eduardo Porto Moreno

Creative Director: Waldemar França/Márcia Lima

Copywriter: Márcia Lima

Art Director: Waldemar França

Account Supervisor: Maira Schreck

Director: Thales Bahia

Sound Design/Arrangement: Serrassônica/Estúdio Sopro

Cameraman: Boris Filmes

Lighting: Cinevideo Bhz

Account Manager: Priscila Miranda

Director Of Photography: Juarez Pavelak

Other Credits: Teresa Lamas/



English Description



Physically or sexually abused children are extremely vulnerable. Alone, they can never stand up for themselves.

However, when a witness reports the abuse, a network is created to protect the child, including the public power, child protective councils and NGOs fighting for children’s rights. The abuser is cornered, whereas the victim becomes stronger.

To fight this kind of violence, the Administration of Belo Horizonte, capital city of the third largest Brazilian state, had to make the importance of reporting the abuse known.

We, then, presented the idea of shooting an old optical illusion trick to illustrate the lack of balance that happens when a child is abused.

In a studio, we built an Ames Room, whose distorted structure creates the illusion of absolute lack of proportion between the actors: the child looked even smaller than she really was, while the man looked gigantic.

Then, the actors switched positions in the room and, with absolutely no computer effects, the child got bigger and bigger, whereas he man got smaller and smaller.

With a distorted room and the simple movement made by the actors, we could show how reporting the abuse can strengthen children who, up to that point, were helpless.